Categories
quotes

Algorithmic Manipulation

The internet, […] is home to many eyes, rabbit holes, and agents of algorithmic manipulation.

Lydia Sviatoslavsky, interviewing R. U. Sirius for Spike [spikeartmagazine.com]

Categories
albums

The Cure: Glastonbury Festival 1990

This entry is a little different than the other albums [confusion.cc] I’ve posted because you can’t buy this album. At least not officially. It’s a bootleg of The Cure’s 1990 set at the Glastonbury Festival. I’m sure you can find it somewhere on the internet, but I actually bought this pre-Napster and still have the physical bootleg CDs.

In 1990 I was 12 and had never heard of The Cure. I think I first encountered The Cure a few years later when Friday, I’m in Love, from their 1992 release Wish [discogs.com], was in heavy rotation on MTV. I can remember sitting in K████’s living room every morning waiting on the school bus with K████ and M██████ and watching the music video. Good times, there are a lot of music videos from 1992/1993 burned into my memory from those mornings.

I didn’t catch The Cure bug for a few more years. In 1997, my girlfriend was big into The Cure. We listened to a lot of Cure in the car driving around. I actually bought the Glastonbury bootleg with her in a little shop on the downtown mall. It’s one of a number of bootlegs I got from the same guy. Mostly live stuff; Bush, The Chemical Brothers, Tori Amos, Jewel, Sarah McLachlan, others.

My love of The Cure long outlasted that relationship. I devoured their back catalog, and continued to follow them. It was their back catalog that really hooked me, Poronography [discogs.com], and The Walk [discogs.com] are awesome albums. But their masterpiece was Disintegration [discogs.com]; Fascination Street, Love Song, and Pictures of You, my three favorite Cure songs, all on the same album. Disintegration is Robert Smith’s masterpiece. As Tricky says in the liner notes to his 2003 entry in the Back to Mine [discogs.com] series: Robert Smith is the best love song writer in the world. All his lyrics and melodies are unbelievable. For me that’s true. While Tricky picked Lullaby for his Back to Mine playlist, I would but Love Song and Pictures of You in my top few loves songs ever.

But the live performances at Glastonbury in 1990 is the one I’ve always come back to. It’s peak Cure. It was a year after Disintegration and includes a lot of songs from that album but also an amazing selection of songs from their earlier releases. And this era, 89, 90, 91, is the perfection of The Cure’s synth-goth-post-punk-shoegaze-alternative-rock sound. Even the older songs that might have been a little ‘meh’ on the original releases here have something extra, something amazing.

I wish I could post an Apple or Spotify link, but as a it’s a bootleg they don’t have it. The best I could do would be one of the official live releases from around this time; Show is the best option. But Show released on as single CDs you only get about 80 min while the 1990 set at Glastonbury was close to two full hours with the two encores (not including the helicopter landing to evacuate some lady who was getting crushed). But I can link to this YouTube video that seems to have the whole set. It’s an hour and forty-four minutes, enjoy:

Categories
ranting

The Four Drives: Uncle Russell Edition

A while back I posted The four drives [confusion.cc] about the connection between what a history teacher once explained to me as the four drives, and the drives listed in The Consolation of Philosophy by Boethius:

My Teacher

  • Money
  • Power
  • Prestige
  • Sex

Boethius

  • Wealth
  • Power
  • Reputation
  • Fame
  • Sensual pleasure

If you consider Reputation and Fame to be two parts of Prestige then they are the same list. I wondered if my teacher was familiar with Boethius? I guess I’ll never know.

But then the other day I came across an article on Bertrand Russell called The Four Desires Driving All Human Behavior [getpocket.com] a repost of a 2015 articles on The Marginalian [themarginalian.org] in which is summarized a speech uncle Bertrand gave upon accepting the Nobel Price in Literature in 1950.

Russell lists the following drives:

  • Acquisitiveness
  • Rivalry
  • Vanity
  • Love of power

I leave it as an exercise to the reader for a full analysis of the alignment. But I will point out a few things:

First, sex makes no appearance. Maybe it’s just that 1950s or perhaps Russel thought that the it was not appropriate for a Nobel Prize acceptance speech?

Second, Acquisitiveness, in addition to being hard to spell and a ten dollar word, is a more general way of saying “wealth” or “money”. In his speech Russell defines it thus: the wish to possess as much as possible of goods, or the title to goods. So I would say Acquisitiveness = Money = Wealth.

Rivalry is interesting; it’s on the list instead of sex. Per Russell’s speech this is basically the desire to one-up or crush others: a great many men will cheerfully face impoverishment if they can thereby secure complete ruin for their rivals.

Russell lists a second tier of drives including excitement or the need to avoid boredom. This aligns with the idea that so much of modern societies problems result from bored youth, particularly bored males 18-25…

You can read Russell’s acceptance speech [nobelprize.org] in whole on the Nobel Prize site. But I warn you it’s not easy to read. Better to start with the article on The Marginalian [themarginalian.org]. Final note: The Marginalian looks like a very interesting site to explore.

Categories
albums

The Richest Man in Babylon

Artist
Thievery Corporation
Realse Date
September 30, 2002

I purchased The Richest Man in Babylon [discogs.com] sometime in late 2002 or early 2003 while I was living in Dupont Circle in DC. I purchased it at a music store that I can’t remember the name of, it was near Kramers bookstore. I spent a lot of time browsing both Kramers and that music store; several other albums I plan to cover came from there. I spent a lot of evenings and weekend afternoons sitting at Xandos reading books from Kramers and listening to albums I purchased at that music store.

I purchased The Richest Man because while I was living in Dupont I spent many evenings chilling at the Eighteenth Street Lounge [18thstlounge.com]. The Eighteenth Street Lounge, or ESL, is a story in itself. Hidden behind a plain street level door, sandwiched between a mattress store and… something else at the time. Next to the door was a brass plate that said “Eighteenth Street Lounge, Washington DC”. Opening the door and climbing the stairs led you to the best live music and DJ place in DC. The ambiance was amazing: an eclectic mix of baroque and thrift store couches and tables, damask wallpapers and exposed brick walls, light from electric candelabras and chandlers, a well stocked bar and the best sound system you can imagine.

So what’s the connection to the Richest Man in Babylon? The band, Thievery Corporation, started when one of the lounge co-owners, Rob Garza, met Eric Hilton at the ESL. ESL played a lot of Thievery Corporation music and the music that inspired them. So I went searching for the album. ESL has it’s own record label, also ESL, that besides Thievery Corporation also released other amazing artists like Federico Aubele and Les Hommes.

I purchased both The Mirror Conspiracy [discogs.com] and The Richest Man in Babylon at the same time. Richest Man became my favorite and still remains my favorite Thievery Corporation album. The music is an eclectic mix of influences, Latin American jazz and bossa nova, indian and middle eastern traditional music, with Jamaican dub most evident in the vocals. All layered over chill out electronic beats.

Any album on my best list has to be one I can, and do, listen too from start to finish, no dud songs. And Richest Man is defiantly there. From the opening sounds of Heaven’s Goona Burn Your Eyes, through to the end of Until the Morning. This is one of the best chill albums out there. The electronic beats blend with the world music precession and synth melodies providing a timeless background for the vocals. Often the vocals are non-english, like on Omid, which lend it an even more chilled out sound to me.

The best songs on the album are probably “Heaven’s Gonna Burn Your Eyes” and “The Richest Man in Babylon” followed closely by “All That We Perceive” and “Un Simple Histoire”. But have a listen from beginning to end. It’s all amazing.

Listen on Apple Music:

Listen on Spotify:

Categories
photography ranting

Stolen Bits & Bytes

Last week I found a few of my photos being used on a local website [thesmartlocal.com]. Specifically photos of the vacant house at 25 Grange Road. I never actually posted the photos here on Confusion back when I took them in 2006. I was not overly happy with them. The subject was very cool but I don’t think I captured it as well as I wanted. Anyway, you can see the full photoset on Flickr, such that it is, only 12 photos:

IMG_3228
Abandoned: 25 Grange Rd, Singapore, May 2006 Photoset on Flickr.

It’s nice when others find my photos useful. A few small sites have used some of my photos before, even got published in a few books (here [confusion.cc] & here again [confusion.cc]), the craziest usage was when the Ford Museum purchased the rights to this photo [flickr.com] to hang somewhere in the museum. Always nice that someone finds my photos useful.

I release almost all of the public photos on my Flickr account under the Creative Commons Attribution License, so they are free for anyone to use including for commercial purposes. You don’t have to ask permission or let me know, sometimes people do email me via Flickr or post a comment on a photo they use, it’s nice because I can see the work. The license does requires that if you use a photo you provide an attribution, just my name (I tell people they are welcome to use “Brian Beggerly” or just “beggs”). Flickr terms require a link back to the Flickr page in addition.

In this particular case though the photos were not attributed to me, they were instead attributed to another web site. And on that site the photos are not attributed to anyone. It’s perfectly possible that someone took very similar photos to those that I took. But when I looked at the other page it contains five of the 12 photos from my photoset and there is no doubt left; they are identical, they are the same photo.

In any case, I reached out to the Smart Local site and let them know and they agreed and updated the attribution.

Before curtesy of the Wayback Machine [archive.org]

I emailed the site where the photos were posted originally but no response yet. To be fair the site is no longer updated (per a banner on the site when you contact them) so maybe no one is looking at the emails. And while it’s the site that I contacted it seems most of the articles were submitted by independent writers so maybe it’s the author who didn’t add the attribution? But even if the author should have provided the attributions, the site should also a have some sort of editorial process to check that authors are attributing third party works, because it’s the publishers who are going to get the notice when an attribution is missing or wrong.

I have not heard back from the site yet. I’m not linking to them here as I don’t want to drive traffic to the site. If they reply and update the attribution I’ll add a link.

While I think information “should be free”, in the sense that I oppose companies extending copyright forever and hiding behind armies of lawyers trying to prevent people from making derivative works and taking inspiration… I also think people should give credit to other creators and respect other creators decision to charge for, or get paid for, their works. A derivative or an homage is fine, though there is a fine line between inspiration and copying.

IMG_8216
Hum… would Picasso have supported Napster?

But credit should be given. People should have respect for the people who create, even if the creation is owned by some big, money driven, corporation. If you don’t want people stealing your work, don’t steal from others. I think this should be taught in school, to make sure everyone understands the laws and how to follow them or how to work to change them. Vote with your wallet, if the item is not worth the price being asked then don’t buy it, and don’t steal it, just don’t consume it. In a capitalist system voting with your wallet is the most effective thing you can do. And if you are able vote in election, if you disagree with the power corporations have over copyright and patents the only way to change that is to vote in politicians who will change the laws and empower regulators to enforce limits, to nominate and confirm judges who can hold the companies to account in the courts.

I am part of the Napster generation, I stole a lot of music, downloaded a lot of Warez. I don’t blame kids and college broke students for piracy, but I don’t support big corporations suing the individuals for outrageous amounts of money, I understand they want to protect their work and business but it’s the wrong message to me.

I do have an issue with adults continuing to steal long after they are old enough to know it’s wrong. When I started making a living producing work that could be stolen, computer code in my case, I came to understand that it is theft and it is wrong (even if, in my case, it was not a work that was likely to be stolen by people, I never wrote that type of software).

I deleted so much music… Today, I don’t produce anything in my career that would be pirated but I release the works I create as part of my hobby, my photographs, so that others can use it. They can use it even if I don’t like what they make from it or how they use it. Creative Commons [creativecommons.org] tried to make this simple in the digital world with their licenses (they are 20 this year! So go and vote with your wallet, donate a few dollars). Flickr is a great source of Commons licensed works that you can use and makes it easy for it’s members to choose a CC license. But it still requires people to understand that you should respect others work.

We live in a complicated world, educate yourself and think about your actions. It does not take much effort to find a way to get others work for free, but is that how you would want others to treat a work your created? More power to you if you choose to release your work for others for free, but if you choose to charge for it or get paid by making something for someone else do you want others to steal it?

Ok, enough. It’s a complicated subject. In summary, if you are going to use someone else’s work, have some respect and learn the rules of the game, follow them. Don’t steal. Treat others works the way you want your works treated.