Categories
books

The Hamlet

Author
William Faulkner
On Goodreads [goodreads.com]

I enjoyed The Hamlet more than The Sound and The Fury. Fury just required too much work on the readers part. The story was brilliant but the payoff was not worth the work over all. The Hamlet, while still requiring some work on the readers part to dive past the colloquial language of the dialog, appreciate the setting and, to some extent, deal with the modernist [wikipedia.org] style elements.

The Hamlet is about the invasion of a small mythical southern every-town; Frenchman’s Bend, by the Snopes family. Detailing a number of Snopes’ and their eccentricities while relying on the non-Snopes character of Ratliff to provide grounded commentary and continuity. The Hamlet is mostly a comic novel, in places laugh-out-loud funny, set against the not so funny experience of life in the post reconstruction South.

I think that, like most of Faulkner‘s [wikipedia.org] books the Americana is more than a surface veneer. I don’t find Faulkner’s stories to be timeless, place-less classics. Rather they are a specific meditation on the times and situations of the post-reconstruction American South. I have a hard time imagining how anyone who has lived their entire life in New York City could come close to appreciating Faulkner’s writing, much less how someone from another country could appreciate them in any great depth. The fact that the books do sell and are liked by people from outside the South amazes me. But they are, and Falkner did win the Nobel Prize for Literature. So…

I have two tenuous connections to Faulkner’s South, one general and the other specific. Generally, I grow up in rural Virginia, the South lite, and spent time in my grandparents house in Alabama, the South by any measure. This helped me to penetrate the language of The Hamlet enough to allow me to read the book in a fluid, natural way without struggling over the language used by the characters, making back and forth dialog enjoyable (as opposed to the Sisyphean effort require to digest the dialog in Ulysses [confusion.cc].) More specifically, I grew up in Charlottesville, home to UVA where Faulkner was “Writer in Residence” twice in 1957 and 1958. How I managed to read so little Faulkner in school (just The Bear short story to my recollection) is a mystery to me.

Interestingly, and perhaps contrary to what I say above, my post-high-school re-introduction to Faulkner came in the form of a friend who grew up in New York City. After moving to C’ville and living in a ‘house-too-far-back-in-the-woods’, in his own words, he moved downtown (such as it is) and became obsessed for a time with reading about the old South. Faulkner was his main source. It did nothing to dispel his fears of being molested in the woods by some Deliverance-esque hicks. Despite confirming his worst fears about the nature of southerners, my friend enjoyed Faulkner immensely enough that his recommendation put Faulkner on my list of to-reads. It only took me 11 years to get around to reading any.

Categories
books

Don Quixote

Author
Miguel de Cervantes
Translator
Edith Grossman
On Goodreads [goodreads.com]

Don Quixote. Yea. Don Quixote. It’s been on the reading list a long time. But not always. Despite how famous Don Quixote is — a pillar of western literature and the first modern novel — I kept putting off reading it. I think it was because I had to read a part of it in Spanish when I was in school. And Spanish class was like a little taste of hell in the purgatory of high school.

Don Quixote reentered my sphere of consciousness in 2005, on the 500th anniversary of it’s publication. It took a few more years for me to get around to buying it in 2007. Then it sat around for over a year, staring at me every time I walked by the bookshelf. Then, once I did get started, I was reading it for almost two years. I started reading it in 2008 when I took time off for my daughters birth. And I just finished the last 200 pages on a 30 hour air trip to the US. I wonder how long it would have been if I didn’t have to make such a long trip?

I enjoyed Don Quixote despite the long struggle to actually get it read. Don Quixote and Sancho Panza, his squire, are memorable characters. Over all the story is good, it’s just not something I can read quickly, at least not if I want to actually understand what it is I’m reading. The language doesn’t flow, I suspect a lot of that has to do with being translated and written in a colloquial form from a time half a millennium ago. There were a lot of footnotes about changing meanings and wordplay in the original that doesn’t translate.

On thing that put me off early on in reading was the windmill scene. Everybody knows about the windmills; it’s the first thing that comes to mind when I think of Don Quixote. But then, the whole episode is about a page, and it’s really early on in the story. It’s like the having the climax of the novel at the beginning of the story.

But after a long struggle to get through the later half of the first part the story picked up again. The second part, where Don Quixote‘s fame becomes the main foil, as people start to play with is madness and Sancho’s gullibility, was more fun to read than most of the first part. If Cervantes was prompted into writing the second part because of the less-than-good “false Quixote” that someone else published after the first part proved successful, then the author of the false Quixote did the world a favor. I doubt Don Quixote would be half as famous if it stopped at the end of the second sally. The third sally, which comprises the second part, is the best. Except for maybe the windmills.

Categories
books

The Sun Also Rises

Author
Ernest Hemingway
The Sun Also Rises
On Goodreads [goodreads.com]

I enjoyed The Sun Also Rises but I can’t really can’t point to any one feature of the book that made it outstanding. It’s more of a gestalt feeling that raises The Sun Also Rises above any number of other books with similar stories to tell. The book is well written and justly famous for Ernest Hemingway’s clear and concise prose. The greatness of the plot is harder to pin down.

I think the most important characteristic of The Sun Also Rises is empathy. I was drawn in because I found myself empathizing with the characters on two sides of the love triangle (more like a hexagon) that is at the center of the book. I have, at various times, played the role of ‘best friend who will never be a lover’ and the lost puppy being lead around, ultimately to be left behind when something new comes along. All of the characters in the love triangle are archetypal caricatures that most of us can relate to, at least most of us who have felt the bitter sweetness of love.

I did notice that while The Sun Also Rises is famous for it’s depiction of bull fights and the running of the bulls in Pamplona these events are only briefly described in the text. It reminds me of how famous the white whale of Moby Dick [confusion.cc] is despite the fact that the whale manages to appear on only a few pages of the novel.

Categories
books

The Catcher in the Rye

Author
J. D. Salinger
The Catcher in the Rye
On Goodreads [goodreads.com]

I think I missed the meaning of The Catcher in the Rye by about 15 years. While it was not a bad book, at 30 it was not a great book either. The whining, mad at the world, fuck off attitude of Holden would have fit better in my world view when I was a freshman or junior in high school.

How The Catcher in the Rye slipped through my reading list in high school is not something I can comment on. We should have read this book, assuming it was not banned for using naughty words. Maybe the teachers thought it would make us more rebellious.

Anyway, Catcher is a coming of age book, and I think (looking back from closer to mid-life crisis) it is good at being a coming of age book. Too bad I did not read it when I was that age.

On Amazon

Categories
books ranting

Reading List

I can across this list via Intrepid Flame [intrepidflame.blogspot.com] who got it from Random House [randomhouse.com], maybe not the most impartial list but c’est la vie. Lets see how my reading habits stack up against the Random House Best 100 Modern English Novels of the 20th Century:

  1. ULYSSES by James Joyce—Been there, done that. Hated it. [confusion.cc]
  2. THE GREAT GATSBY by F. Scott Fitzgerald—Read it in school, liked it, should read it again.
  3. A PORTRAIT OF THE ARTIST AS A YOUNG MAN by James Joyce—Never read it, one Joycean adventure was enough for me up to now.
  4. LOLITA by Vladimir Nabokov—Beautiful, disturbing, disgusting. In the end, the language is a greater force than the objectionable plot elements. A good book.
  5. BRAVE NEW WORLD by Aldous Huxley—Way too prophetic to be comfortable reading.
  6. THE SOUND AND THE FURY by William Faulkner—Liked it, need to read it again to understand it I think.
  7. CATCH-22 by Joseph Heller—Yossarian Lives! [confusion.cc]
  8. DARKNESS AT NOON by Arthur Koestler—Never heard of it.
  9. SONS AND LOVERS by D.H. Lawrence—Not yet.
  10. THE GRAPES OF WRATH by John Steinbeck—Another school book, ignored it before I heard Rage Against the Machine’s version of The Ghost of Tom Joad [wikipedia.org]. Then I went back and re-read it and like it. Not my favorite but a good book.
  11. UNDER THE VOLCANO by Malcolm Lowry—Never heard of it.
  12. THE WAY OF ALL FLESH by Samuel Butler—Never read it.
  13. 1984 by George Orwell—Orwell was wrong… but only about the year. Should be required reading for all British MPs.
  14. I, CLAUDIUS by Robert Graves—This one scares me, have not got around to reading it.
  15. TO THE LIGHTHOUSE by Virginia Woolf—Nope.
  16. AN AMERICAN TRAGEDY by Theodore Dreiser—Never heard of it.
  17. THE HEART IS A LONELY HUNTER by Carson McCullers—Nope.
  18. SLAUGHTERHOUSE-FIVE by Kurt Vonnegut—I didn’t think this was a good book. Maybe I was too old when I read it.
  19. INVISIBLE MAN by Ralph Ellison—Amazing. [confusion.cc] One of my favorite books.
  20. NATIVE SON by Richard Wright—Nope.
  21. HENDERSON THE RAIN KING by Saul Bellow—Counting Crows make me want to read this… have not done it yet.
  22. APPOINTMENT IN SAMARRA by John O’Hara—Never heard of it.
  23. U.S.A. (trilogy) by John Dos Passos—Scares me.
  24. WINESBURG, OHIO by Sherwood Anderson—Nope.
  25. A PASSAGE TO INDIA by E.M. Forster—Not yet.
  26. THE WINGS OF THE DOVE by Henry James—Another miss.
  27. THE AMBASSADORS by Henry James—And another.
  28. TENDER IS THE NIGHT by F. Scott Fitzgerald—Nope.
  29. THE STUDS LONIGAN TRILOGY by James T. Farrell—Nope.
  30. THE GOOD SOLDIER by Ford Madox Ford—Nope.
  31. ANIMAL FARM by George Orwell—Of course, some are more equal than others.
  32. THE GOLDEN BOWL by Henry James—Not yet.
  33. SISTER CARRIE by Theodore Dreiser—Never heard of it.
  34. A HANDFUL OF DUST by Evelyn Waugh—Nope.
  35. AS I LAY DYING by William Faulkner—Not yet.
  36. ALL THE KING’S MEN by Robert Penn Warren—Nope.
  37. THE BRIDGE OF SAN LUIS REY by Thornton Wilder—Not yet.
  38. HOWARDS END by E.M. Forster—Didn’t even see the movie.
  39. GO TELL IT ON THE MOUNTAIN by James Baldwin—Nope.
  40. THE HEART OF THE MATTER by Graham Greene—Nope.
  41. LORD OF THE FLIES by William Golding—I like this the first time, found it a bit wanting on the re-read.
  42. DELIVERANCE by James Dickey—Does the movie count?
  43. A DANCE TO THE MUSIC OF TIME (series) by Anthony Powell—Nope.
  44. POINT COUNTER POINT by Aldous Huxley—Nope.
  45. THE SUN ALSO RISES by Ernest Hemingway—This one is sitting on my bookshelf even now (maybe when I finish Don Quixote…)
  46. THE SECRET AGENT by Joseph Conrad—Nope.
  47. NOSTROMO by Joseph Conrad—Nope.
  48. THE RAINBOW by D.H. Lawrence—Nope.
  49. WOMEN IN LOVE by D.H. Lawrence—Nope.
  50. TROPIC OF CANCER by Henry Miller—Nope.
  51. THE NAKED AND THE DEAD by Norman Mailer—Nope.
  52. PORTNOY’S COMPLAINT by Philip Roth—Nope.
  53. PALE FIRE by Vladimir Nabokov—Nope, heard it was too much like Lolita.
  54. LIGHT IN AUGUST by William Faulkner—Not yet.
  55. ON THE ROAD by Jack Kerouac—Never liked the beats, skipped it.
  56. THE MALTESE FALCON by Dashiell Hammett—Nope. Never saw the movie either.
  57. PARADE’S END by Ford Madox Ford—Nope.
  58. THE AGE OF INNOCENCE by Edith Wharton—Nope.
  59. ZULEIKA DOBSON by Max Beerbohm—Nope.
  60. THE MOVIEGOER by Walker Percy—Nope.
  61. DEATH COMES FOR THE ARCHBISHOP by Willa Cather—Nope.
  62. FROM HERE TO ETERNITY by James Jones—Nope.
  63. THE WAPSHOT CHRONICLES by John Cheever—Nope.
  64. THE CATCHER IN THE RYE by J.D. Salinger—I did not understand this book. I put it down to reading it at age 30…
  65. A CLOCKWORK ORANGE by Anthony Burgess—Nope.
  66. OF HUMAN BONDAGE by W. Somerset Maugham—Nope.
  67. HEART OF DARKNESS by Joseph Conrad—I started this one. Got lost, maybe not a book for a 17 year old. Saw Apocalypse Now.
  68. MAIN STREET by Sinclair Lewis—Not yet.
  69. THE HOUSE OF MIRTH by Edith Wharton—Never heard of it.
  70. THE ALEXANDRIA QUARTET by Lawrence Durell—Never heard of it. (But what’s with all the trilogies and quartets, is length an automatic in for this list?)
  71. A HIGH WIND IN JAMAICA by Richard Hughes—Nope.
  72. A HOUSE FOR MR BISWAS by V.S. Naipaul—Nope.
  73. THE DAY OF THE LOCUST by Nathanael West—Nope.
  74. A FAREWELL TO ARMS by Ernest Hemingway—Not yet.
  75. SCOOP by Evelyn Waugh—Nope.
  76. THE PRIME OF MISS JEAN BRODIE by Muriel Spark—Never heard of it.
  77. FINNEGANS WAKE by James Joyce—Spare me. It took him 14 years to write it and he expects me to spend 14 years trying to understand him. I’ll skip it.
  78. KIM by Rudyard Kipling—Nope. But I did read The English Patient.
  79. A ROOM WITH A VIEW by E.M. Forster—Nope.
  80. BRIDESHEAD REVISITED by Evelyn Waugh—Nope.
  81. THE ADVENTURES OF AUGIE MARCH by Saul Bellow—Never heard of it.
  82. ANGLE OF REPOSE by Wallace Stegner—Never heard of it.
  83. A BEND IN THE RIVER by V.S. Naipaul—Nope.
  84. THE DEATH OF THE HEART by Elizabeth Bowen—Nope.
  85. LORD JIM by Joseph Conrad—Only excerpts in school.
  86. RAGTIME by E.L. Doctorow—Nope.
  87. THE OLD WIVES’ TALE by Arnold Bennett—Nope.
  88. THE CALL OF THE WILD by Jack London—When I was like 14.
  89. LOVING by Henry Green—Nope.
  90. MIDNIGHT’S CHILDREN by Salman Rushdie—No, most of his other books but not this one. Will have to fix that.
  91. TOBACCO ROAD by Erskine Caldwell—Nope.
  92. IRONWEED by William Kennedy—Nope.
  93. THE MAGUS by John Fowles—Nope.
  94. WIDE SARGASSO SEA by Jean Rhys—Nope.
  95. UNDER THE NET by Iris Murdoch—Nope.
  96. SOPHIE’S CHOICE by William Styron—In high school. Forgot it all after the test.
  97. THE SHELTERING SKY by Paul Bowles—Never heard of it.
  98. THE POSTMAN ALWAYS RINGS TWICE by James M. Cain—Nope.
  99. THE GINGER MAN by J.P. Donleavy—Nope.
  100. THE MAGNIFICENT AMBERSONS by Booth Tarkington—Never heard of it.

That’s like 15 out of 100… not so good. Will have to fix that someday.